{{B}}第二篇{{/B}}

We can see good workmanship in ______.

A:different shapes and sizes of furniture B:materials for creating colourful patterns C:a piece of music with its melodies and rhythms organized in harmony D:a piece of music with very good, original tunes mixed together

I’ll Be Bach Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t _____（51）the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer. It all started in 1980 in the United States, when Cope was trying to write an opera. He was having _____（52）thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not_____（53）to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers, brains_____（54）like big databases. First, they take in all the music that they have ever heard. Then they take_____（55）the music that they dislike. Finally, they make new music from what is_____（56）. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it. Cope built a_____（57）database of existing music. He began with hundreds of works by Bach. The software analyzed the dataa_____（58）it down into smaller pieces and looked for patterns. It then combined the_____（59）into new patterns. Before long, the program could compose short Bach-like works. They weren’tgood, but it was a start. Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could_____（60）more complex music. He also added many other composers, including his own work to the database. A few years later, Cope’s computer program, called "Emmy", was ready to help him with his opera. The_____（61）required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the_____（62）that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great_____（63）! Cope received some of the best reviews of his career, but no one knew exactly_____（64）he had composed the work. Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, _____（65）she is doing most of the hard work of composing these days!

A:Make B:tell C:Take D:understand

I’ll Be Bach Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t _____（51）the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer. It all started in 1980 in the United States, when Cope was trying to write an opera. He was having _____（52）thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not_____（53）to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers, brains_____（54）like big databases. First, they take in all the music that they have ever heard. Then they take_____（55）the music that they dislike. Finally, they make new music from what is_____（56）. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it. Cope built a_____（57）database of existing music. He began with hundreds of works by Bach. The software analyzed the dataa_____（58）it down into smaller pieces and looked for patterns. It then combined the_____（59）into new patterns. Before long, the program could compose short Bach-like works. They weren’tgood, but it was a start. Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could_____（60）more complex music. He also added many other composers, including his own work to the database. A few years later, Cope’s computer program, called "Emmy", was ready to help him with his opera. The_____（61）required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the_____（62）that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great_____（63）! Cope received some of the best reviews of his career, but no one knew exactly_____（64）he had composed the work. Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, _____（65）she is doing most of the hard work of composing these days!

A:Loud B:peaceful C:classic D:easy

I’ll Be Bach Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t _____（51）the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer. It all started in 1980 in the United States, when Cope was trying to write an opera. He was having _____（52）thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not_____（53）to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers, brains_____（54）like big databases. First, they take in all the music that they have ever heard. Then they take_____（55）the music that they dislike. Finally, they make new music from what is_____（56）. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it. Cope built a_____（57）database of existing music. He began with hundreds of works by Bach. The software analyzed the dataa_____（58）it down into smaller pieces and looked for patterns. It then combined the_____（59）into new patterns. Before long, the program could compose short Bach-like works. They weren’tgood, but it was a start. Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could_____（60）more complex music. He also added many other composers, including his own work to the database. A few years later, Cope’s computer program, called "Emmy", was ready to help him with his opera. The_____（61）required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the_____（62）that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great_____（63）! Cope received some of the best reviews of his career, but no one knew exactly_____（64）he had composed the work. Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, _____（65）she is doing most of the hard work of composing these days!

A:in B:at C:with D:out

I’ll Be Bach Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t _____（51）the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer. It all started in 1980 in the United States, when Cope was trying to write an opera. He was having _____（52）thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not_____（53）to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers, brains_____（54）like big databases. First, they take in all the music that they have ever heard. Then they take_____（55）the music that they dislike. Finally, they make new music from what is_____（56）. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it. Cope built a_____（57）database of existing music. He began with hundreds of works by Bach. The software analyzed the dataa_____（58）it down into smaller pieces and looked for patterns. It then combined the_____（59）into new patterns. Before long, the program could compose short Bach-like works. They weren’tgood, but it was a start. Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could_____（60）more complex music. He also added many other composers, including his own work to the database. A few years later, Cope’s computer program, called "Emmy", was ready to help him with his opera. The_____（61）required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the_____（62）that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great_____（63）! Cope received some of the best reviews of his career, but no one knew exactly_____（64）he had composed the work. Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, _____（65）she is doing most of the hard work of composing these days!

A:cut B:drop C:broke D:turned

I’ll Be Bach Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t _____（51）the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer. It all started in 1980 in the United States, when Cope was trying to write an opera. He was having _____（52）thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not_____（53）to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers, brains_____（54）like big databases. First, they take in all the music that they have ever heard. Then they take_____（55）the music that they dislike. Finally, they make new music from what is_____（56）. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it. Cope built a_____（57）database of existing music. He began with hundreds of works by Bach. The software analyzed the dataa_____（58）it down into smaller pieces and looked for patterns. It then combined the_____（59）into new patterns. Before long, the program could compose short Bach-like works. They weren’tgood, but it was a start. Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could_____（60）more complex music. He also added many other composers, including his own work to the database. A few years later, Cope’s computer program, called "Emmy", was ready to help him with his opera. The_____（61）required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the_____（62）that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great_____（63）! Cope received some of the best reviews of his career, but no one knew exactly_____（64）he had composed the work. Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, _____（65）she is doing most of the hard work of composing these days!

A:parts B:programs C:ideas D:pieces

I’ll Be Bach Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t _____（51）the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer. It all started in 1980 in the United States, when Cope was trying to write an opera. He was having _____（52）thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not_____（53）to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers, brains_____（54）like big databases. First, they take in all the music that they have ever heard. Then they take_____（55）the music that they dislike. Finally, they make new music from what is_____（56）. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it. Cope built a_____（57）database of existing music. He began with hundreds of works by Bach. The software analyzed the dataa_____（58）it down into smaller pieces and looked for patterns. It then combined the_____（59）into new patterns. Before long, the program could compose short Bach-like works. They weren’tgood, but it was a start. Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could_____（60）more complex music. He also added many other composers, including his own work to the database. A few years later, Cope’s computer program, called "Emmy", was ready to help him with his opera. The_____（61）required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the_____（62）that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great_____（63）! Cope received some of the best reviews of his career, but no one knew exactly_____（64）he had composed the work. Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, _____（65）she is doing most of the hard work of composing these days!

A:ones B:cases C:others D:sides

I’ll Be Bach Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t _____（51）the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer. It all started in 1980 in the United States, when Cope was trying to write an opera. He was having _____（52）thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not_____（53）to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers, brains_____（54）like big databases. First, they take in all the music that they have ever heard. Then they take_____（55）the music that they dislike. Finally, they make new music from what is_____（56）. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it. Cope built a_____（57）database of existing music. He began with hundreds of works by Bach. The software analyzed the dataa_____（58）it down into smaller pieces and looked for patterns. It then combined the_____（59）into new patterns. Before long, the program could compose short Bach-like works. They weren’tgood, but it was a start. Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could_____（60）more complex music. He also added many other composers, including his own work to the database. A few years later, Cope’s computer program, called "Emmy", was ready to help him with his opera. The_____（61）required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the_____（62）that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great_____（63）! Cope received some of the best reviews of his career, but no one knew exactly_____（64）he had composed the work. Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, _____（65）she is doing most of the hard work of composing these days!

A:loss B:end C:success D:rush

I’ll Be Bach Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t _____（51）the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer. It all started in 1980 in the United States, when Cope was trying to write an opera. He was having _____（52）thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not_____（53）to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers, brains_____（54）like big databases. First, they take in all the music that they have ever heard. Then they take_____（55）the music that they dislike. Finally, they make new music from what is_____（56）. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it. Cope built a_____（57）database of existing music. He began with hundreds of works by Bach. The software analyzed the dataa_____（58）it down into smaller pieces and looked for patterns. It then combined the_____（59）into new patterns. Before long, the program could compose short Bach-like works. They weren’tgood, but it was a start. Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could_____（60）more complex music. He also added many other composers, including his own work to the database. A few years later, Cope’s computer program, called "Emmy", was ready to help him with his opera. The_____（61）required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the_____（62）that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great_____（63）! Cope received some of the best reviews of his career, but no one knew exactly_____（64）he had composed the work. Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, _____（65）she is doing most of the hard work of composing these days!

A:when B:how C:what D:why

Music comes in many forms; most countries have a style of their own. At the turn of the last century, (51) jazz was bona, America had no prominent (52) of its own. No one knows exactly when was invented or by whom. But it began to be (53) in the early 1890s. Jazz is America’s contribution to (54) music. In contrast to classical music, which (55) formal European traditions, jazz is spontaneous and free in form. It bubbles with energy, (56) the moods, interests, and emotions of the people. In the 1920s’ jazz (57) like America. And so it does today. The (58) of the music are as interesting as the music itself. American Negroes, or blacks, as they are called today, were the jazz pioneers. They were brought to the Southern states (59) slaves. They were sold to plantation owners and forced to work long hours. When a Negro died, his friends and relatives (60) a procession to carry to body to the cemetery. In New Orleans, a band often accompanied the (61) . On the way to the cemetery the band played slow, solemn music, suited to the occasion. (62) on the way home the mood changed. Spirits lifted. Death had removed one of their numbers, but the living were glad to be (63) . The band played (64) music, improvising on both the harmony and the melody of the tunes (65) at the funeral. This music made everyone want to dance. It was an early form of jazz.

A:music B:songs C:melodies D:tunes