Over the years, as the musical "Rent" has reached milestone after milestone—playing around ’the world in more than 200 productions from Boise to Little Rock to Reykjavik—the thousands of people who have been affected by this vibrant, gritty and compassionate work may well wonder what its creator, Jonathan Larson, would have thought of it all. Another milestone came on Monday .night. The original Broadway production of "Rent" opened at the Nederlander Theater l0 years ago this Saturday. That production, directed by Michael Greif, was an almost-intact transfer of the initial production at the New York Theater Workshop, which had opened three months earlier.
To celebrate the anniversary the original cast members reassembled, rehearsed for two days and performed the show in a semi-staged version at the Nederlander on Monday. The event was a benefit for the New York Theater Workshop, for Friends in Deed (a support organization that gave comfort to several of Mr. Larson’s friends dealing with H.I.V. infections.). and for the Jonathan Larson Performing Arts Foundation, which was set up by his family after the enormous success of "Rent".
Before the performance, the co-chairmen of the benefit told the star-studded audience that more than $2 million’ had been raised. Also addressing the crowd were Senator Charles E. Schumer and Mayor Michael R. Bloomberg, who praised "Rent" as a timeless work exemplifying "culture, community and creativity," in the mayor’s words, and saluted the show’s vast contributions to New York’s theatrical life.
Once again you could only think, "Would Jonathan ever have imagined all this" Mr. Larson, who wrote the music, lyrics and books for his stage works, struggled for more than 10 years to get a producer to take a shot at one of his shows. Now he was being posthumously thanked for giving Broadway a creative and economic boost. "Rent" is the seventh longest running show in Broadway history.
I count myself among those who were personally affected by Mr. Larson’s work. because of the inadvertent role I played in the last hours of his life. In 1996 an editor at The Times tipped me off to the opening of a rock musical, inspired by. "La Boheme", which transplanted Puccini’s struggling bohemians from Paris in the 1830’s to the ‘East Village in 1990’s. So on Jan. 24 I went to the New York Theater Workshop m see the dress rehearsal of "Rent", which was scheduled to open in February.
That performance was pretty ragged, with technical glitches and a misbehaving sound system. But I was swept away by the sophistication and exuberance of Mr. Larson’s music and the mix of tenderness and cleverness in his lyrics. After the show Mr. Larson and I sat down for an interview in the tiny ticket booth of the theater, the only quiet space we could find amid the post-rehearsal confusion. For almost an hour, this sad-eyed and boyish. creator talked about his approach to songwriting, his determination to bring the American musical tradition to the MTV generation, and about friends snuggling with H:I.V. infection who had inspired the show.
The fact that the original production was an almost-intact transfer of the initial production at the New York Theater Workshop implies that______.

A:"Rent" was a classical work B:Michael Greif Was a conservative director C:"Rent" was conservative D:people were nostalgic

Over the years, as the musical "Rent" has reached milestone after milestone—playing around ’the world in more than 200 productions from Boise to Little Rock to Reykjavik—the thousands of people who have been affected by this vibrant, gritty and compassionate work may well wonder what its creator, Jonathan Larson, would have thought of it all. Another milestone came on Monday .night. The original Broadway production of "Rent" opened at the Nederlander Theater l0 years ago this Saturday. That production, directed by Michael Greif, was an almost-intact transfer of the initial production at the New York Theater Workshop, which had opened three months earlier.
To celebrate the anniversary the original cast members reassembled, rehearsed for two days and performed the show in a semi-staged version at the Nederlander on Monday. The event was a benefit for the New York Theater Workshop, for Friends in Deed (a support organization that gave comfort to several of Mr. Larson’s friends dealing with H.I.V. infections.). and for the Jonathan Larson Performing Arts Foundation, which was set up by his family after the enormous success of "Rent".
Before the performance, the co-chairmen of the benefit told the star-studded audience that more than $2 million’ had been raised. Also addressing the crowd were Senator Charles E. Schumer and Mayor Michael R. Bloomberg, who praised "Rent" as a timeless work exemplifying "culture, community and creativity," in the mayor’s words, and saluted the show’s vast contributions to New York’s theatrical life.
Once again you could only think, "Would Jonathan ever have imagined all this" Mr. Larson, who wrote the music, lyrics and books for his stage works, struggled for more than 10 years to get a producer to take a shot at one of his shows. Now he was being posthumously thanked for giving Broadway a creative and economic boost. "Rent" is the seventh longest running show in Broadway history.
I count myself among those who were personally affected by Mr. Larson’s work. because of the inadvertent role I played in the last hours of his life. In 1996 an editor at The Times tipped me off to the opening of a rock musical, inspired by. "La Boheme", which transplanted Puccini’s struggling bohemians from Paris in the 1830’s to the ‘East Village in 1990’s. So on Jan. 24 I went to the New York Theater Workshop m see the dress rehearsal of "Rent", which was scheduled to open in February.
That performance was pretty ragged, with technical glitches and a misbehaving sound system. But I was swept away by the sophistication and exuberance of Mr. Larson’s music and the mix of tenderness and cleverness in his lyrics. After the show Mr. Larson and I sat down for an interview in the tiny ticket booth of the theater, the only quiet space we could find amid the post-rehearsal confusion. For almost an hour, this sad-eyed and boyish. creator talked about his approach to songwriting, his determination to bring the American musical tradition to the MTV generation, and about friends snuggling with H:I.V. infection who had inspired the show.
"Another milestone" in the first paragraph refers to______.

A:"Rent" has been played in more than 200 productions B:thousands of people have been affected by "Rent" C:it has welcomed its 10-year anniversary D:that production was a transfer of the initial production

Over the years, as the musical "Rent" has reached milestone after milestone—playing around ’the world in more than 200 productions from Boise to Little Rock to Reykjavik—the thousands of people who have been affected by this vibrant, gritty and compassionate work may well wonder what its creator, Jonathan Larson, would have thought of it all. Another milestone came on Monday .night. The original Broadway production of "Rent" opened at the Nederlander Theater l0 years ago this Saturday. That production, directed by Michael Greif, was an almost-intact transfer of the initial production at the New York Theater Workshop, which had opened three months earlier.
To celebrate the anniversary the original cast members reassembled, rehearsed for two days and performed the show in a semi-staged version at the Nederlander on Monday. The event was a benefit for the New York Theater Workshop, for Friends in Deed (a support organization that gave comfort to several of Mr. Larson’s friends dealing with H.I.V. infections.). and for the Jonathan Larson Performing Arts Foundation, which was set up by his family after the enormous success of "Rent".
Before the performance, the co-chairmen of the benefit told the star-studded audience that more than $2 million’ had been raised. Also addressing the crowd were Senator Charles E. Schumer and Mayor Michael R. Bloomberg, who praised "Rent" as a timeless work exemplifying "culture, community and creativity," in the mayor’s words, and saluted the show’s vast contributions to New York’s theatrical life.
Once again you could only think, "Would Jonathan ever have imagined all this" Mr. Larson, who wrote the music, lyrics and books for his stage works, struggled for more than 10 years to get a producer to take a shot at one of his shows. Now he was being posthumously thanked for giving Broadway a creative and economic boost. "Rent" is the seventh longest running show in Broadway history.
I count myself among those who were personally affected by Mr. Larson’s work. because of the inadvertent role I played in the last hours of his life. In 1996 an editor at The Times tipped me off to the opening of a rock musical, inspired by. "La Boheme", which transplanted Puccini’s struggling bohemians from Paris in the 1830’s to the ‘East Village in 1990’s. So on Jan. 24 I went to the New York Theater Workshop m see the dress rehearsal of "Rent", which was scheduled to open in February.
That performance was pretty ragged, with technical glitches and a misbehaving sound system. But I was swept away by the sophistication and exuberance of Mr. Larson’s music and the mix of tenderness and cleverness in his lyrics. After the show Mr. Larson and I sat down for an interview in the tiny ticket booth of the theater, the only quiet space we could find amid the post-rehearsal confusion. For almost an hour, this sad-eyed and boyish. creator talked about his approach to songwriting, his determination to bring the American musical tradition to the MTV generation, and about friends snuggling with H:I.V. infection who had inspired the show.
The best title for this passage is______.

A:Eternal Rent, Eternal Soul B:History of Rent C:On the Anniversary of Rent D:Benefit of Rent

Over the years, as the musical "Rent" has reached milestone after milestone—playing around ’the world in more than 200 productions from Boise to Little Rock to Reykjavik—the thousands of people who have been affected by this vibrant, gritty and compassionate work may well wonder what its creator, Jonathan Larson, would have thought of it all. Another milestone came on Monday .night. The original Broadway production of "Rent" opened at the Nederlander Theater l0 years ago this Saturday. That production, directed by Michael Greif, was an almost-intact transfer of the initial production at the New York Theater Workshop, which had opened three months earlier.
To celebrate the anniversary the original cast members reassembled, rehearsed for two days and performed the show in a semi-staged version at the Nederlander on Monday. The event was a benefit for the New York Theater Workshop, for Friends in Deed (a support organization that gave comfort to several of Mr. Larson’s friends dealing with H.I.V. infections.). and for the Jonathan Larson Performing Arts Foundation, which was set up by his family after the enormous success of "Rent".
Before the performance, the co-chairmen of the benefit told the star-studded audience that more than $2 million’ had been raised. Also addressing the crowd were Senator Charles E. Schumer and Mayor Michael R. Bloomberg, who praised "Rent" as a timeless work exemplifying "culture, community and creativity," in the mayor’s words, and saluted the show’s vast contributions to New York’s theatrical life.
Once again you could only think, "Would Jonathan ever have imagined all this" Mr. Larson, who wrote the music, lyrics and books for his stage works, struggled for more than 10 years to get a producer to take a shot at one of his shows. Now he was being posthumously thanked for giving Broadway a creative and economic boost. "Rent" is the seventh longest running show in Broadway history.
I count myself among those who were personally affected by Mr. Larson’s work. because of the inadvertent role I played in the last hours of his life. In 1996 an editor at The Times tipped me off to the opening of a rock musical, inspired by. "La Boheme", which transplanted Puccini’s struggling bohemians from Paris in the 1830’s to the ‘East Village in 1990’s. So on Jan. 24 I went to the New York Theater Workshop m see the dress rehearsal of "Rent", which was scheduled to open in February.
That performance was pretty ragged, with technical glitches and a misbehaving sound system. But I was swept away by the sophistication and exuberance of Mr. Larson’s music and the mix of tenderness and cleverness in his lyrics. After the show Mr. Larson and I sat down for an interview in the tiny ticket booth of the theater, the only quiet space we could find amid the post-rehearsal confusion. For almost an hour, this sad-eyed and boyish. creator talked about his approach to songwriting, his determination to bring the American musical tradition to the MTV generation, and about friends snuggling with H:I.V. infection who had inspired the show.

A:"Rent" was a classical work B:Michael Greif Was a conservative director C:"Rent" was conservative D:people were nostalgic

Over the years, as the musical "Rent" has reached milestone after milestone—playing around ’the world in more than 200 productions from Boise to Little Rock to Reykjavik—the thousands of people who have been affected by this vibrant, gritty and compassionate work may well wonder what its creator, Jonathan Larson, would have thought of it all. Another milestone came on Monday .night. The original Broadway production of "Rent" opened at the Nederlander Theater l0 years ago this Saturday. That production, directed by Michael Greif, was an almost-intact transfer of the initial production at the New York Theater Workshop, which had opened three months earlier.
To celebrate the anniversary the original cast members reassembled, rehearsed for two days and performed the show in a semi-staged version at the Nederlander on Monday. The event was a benefit for the New York Theater Workshop, for Friends in Deed (a support organization that gave comfort to several of Mr. Larson’s friends dealing with H.I.V. infections.). and for the Jonathan Larson Performing Arts Foundation, which was set up by his family after the enormous success of "Rent".
Before the performance, the co-chairmen of the benefit told the star-studded audience that more than $2 million’ had been raised. Also addressing the crowd were Senator Charles E. Schumer and Mayor Michael R. Bloomberg, who praised "Rent" as a timeless work exemplifying "culture, community and creativity," in the mayor’s words, and saluted the show’s vast contributions to New York’s theatrical life.
Once again you could only think, "Would Jonathan ever have imagined all this" Mr. Larson, who wrote the music, lyrics and books for his stage works, struggled for more than 10 years to get a producer to take a shot at one of his shows. Now he was being posthumously thanked for giving Broadway a creative and economic boost. "Rent" is the seventh longest running show in Broadway history.
I count myself among those who were personally affected by Mr. Larson’s work. because of the inadvertent role I played in the last hours of his life. In 1996 an editor at The Times tipped me off to the opening of a rock musical, inspired by. "La Boheme", which transplanted Puccini’s struggling bohemians from Paris in the 1830’s to the ‘East Village in 1990’s. So on Jan. 24 I went to the New York Theater Workshop m see the dress rehearsal of "Rent", which was scheduled to open in February.
That performance was pretty ragged, with technical glitches and a misbehaving sound system. But I was swept away by the sophistication and exuberance of Mr. Larson’s music and the mix of tenderness and cleverness in his lyrics. After the show Mr. Larson and I sat down for an interview in the tiny ticket booth of the theater, the only quiet space we could find amid the post-rehearsal confusion. For almost an hour, this sad-eyed and boyish. creator talked about his approach to songwriting, his determination to bring the American musical tradition to the MTV generation, and about friends snuggling with H:I.V. infection who had inspired the show.

A:Eternal Rent, Eternal Soul B:History of Rent C:On the Anniversary of Rent D:Benefit of Rent

When John and Victoria Falls arrived in New York from London for a one-year stay, they did not bring many things with them. They had planned either to live in a furnished (配备家具)apartment or to buy used furniture. But they soon learned about a new system that more and more people are using. The renting (出租；租用) of home furnishings (beds, tables, dishes, and so on) has become one of America’s fastest growing business.
What kinds of people rent their home furnishings instead of buying them Many kinds of people, international businessmen, government officials, airline workers, young married couples -- the people whose jobs may force them to move frequently(频繁) from one city (or country ) to another. They saved the trouble and cost of moving their furniture each time. They simply rent new furniture when they reach their new homes. Young people with little money do not want to buy cheap furniture that they will soon grow to dislike. They prefer to wait until they have enough money to buy furniture they really like. Meanwhile, they find they can rent better quality furniture than they can afford to buy.
One family, who now have a large, beautiful home of their own, like their rented furniture so much that they decide to keep renting it instead of buying new things. But they don’t like to tell people about it. The idea of renting home furnishings is still quite new, and they are not sure what their neighbors might think.
This passage is mainly about ______.

A:a new way of buying furniture B:a new way of moving from place to place C:why some people rent their furniture D:how some people rent their furniture

When John and Victoria Falls arrived in New York from London for a one-year stay, they did not bring many things with them. They had planned either to live in a furnished (配备家具)apartment or to buy used furniture. But they soon learned about a new system that more and more people are using. The renting (出租；租用) of home furnishings (beds, tables, dishes, and so on) has become one of America’s fastest growing business.
What kinds of people rent their home furnishings instead of buying them Many kinds of people, international businessmen, government officials, airline workers, young married couples -- the people whose jobs may force them to move frequently(频繁) from one city (or country ) to another. They saved the trouble and cost of moving their furniture each time. They simply rent new furniture when they reach their new homes. Young people with little money do not want to buy cheap furniture that they will soon grow to dislike. They prefer to wait until they have enough money to buy furniture they really like. Meanwhile, they find they can rent better quality furniture than they can afford to buy.
One family, who now have a large, beautiful home of their own, like their rented furniture so much that they decide to keep renting it instead of buying new things. But they don’t like to tell people about it. The idea of renting home furnishings is still quite new, and they are not sure what their neighbors might think.
This passage is mainly about ______.

A:a new way of buying furniture B:a new way of moving from place to place C:why some people rent their furniture D:how some people rent their furniture