I’ll Be Bach
Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t tell the difference between music by the famous German composer J. S. Bach1 (1685-1750) and the Bach-like compositions from Cope’s computer.
It all started in 1980 in the United States, when Cope was trying to write an opera. He was having trouble thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not easy to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers,brains work like big databases. First, they take in all the music that they have ever heard. Then they take out the music that they dislike. Finally, they make new music from what is left. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it.
Cope built a huge database of existing music. He began with hundreds of works by Bach. The software analyzed the data:it broke it down into smaller pieces and looked for patterns. It then combined the pieces into new patterns. Before long, the program could compose short Bach-like works. They weren’t good, but it was a start.
Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could analyze more complex music. He also added many other composers, including his own work, to the database.
A few years later,Cope’s computer program, called “Emmy”,was ready to help him with his opera. The process required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the ones that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great success! Cope received some of the best reviews of his career, but no one knew exactly how he had composed the work.
Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, but she is doing most of the hard work of composing these days!
词汇:
original / əˈrɪdʒinəl / adj.有独创性的
collaboration / kəˌlæbəˈreɪʃən / n. 合作
review / rɪ"vjʊ: / n. 评论
feedback / ˈfi:dbæk / n. 反馈
注释:
1.J. S. Bach约翰?塞巴斯蒂安?巴赫(德语:Johann Sebastian Bach,1685年3月31日一1750年7月28日),巴洛克时期的德国作曲家,杰出的管风琴、小提琴、大键琴演奏家,同作曲家亨德尔和泰勒曼齐名。巴赫被普遍认为是音乐史上最重要的作曲家之一,并被尊称为“西方‘现代音乐’之父”,也是西方文化史上最重要的人物之一。
By developing a computer software,David cope aimed ______.
A:to be like Bach B:to study Bach C:to write an opera D:to create a musical database
I’ll Be Bach
Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t tell the difference between music by the famous German composer J. S. Bach1 (1685-1750) and the Bach-like compositions from Cope’s computer.
It all started in 1980 in the United States, when Cope was trying to write an opera. He was having trouble thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not easy to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers,brains work like big databases. First, they take in all the music that they have ever heard. Then they take out the music that they dislike. Finally, they make new music from what is left. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it.
Cope built a huge database of existing music. He began with hundreds of works by Bach. The software analyzed the data:it broke it down into smaller pieces and looked for patterns. It then combined the pieces into new patterns. Before long, the program could compose short Bach-like works. They weren’t good, but it was a start.
Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could analyze more complex music. He also added many other composers, including his own work, to the database.
A few years later,Cope’s computer program, called “Emmy”,was ready to help him with his opera. The process required a lot of collaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the ones that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great success! Cope received some of the best reviews of his career, but no one knew exactly how he had composed the work.
Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’t like of her music, but she is doing most of the hard work of composing these days!
词汇:
original / əˈrɪdʒinəl / adj.有独创性的
collaboration / kəˌlæbəˈreɪʃən / n. 合作
review / rɪ"vjʊ: / n. 评论
feedback / ˈfi:dbæk / n. 反馈
注释:
1.J. S. Bach约翰?塞巴斯蒂安?巴赫(德语:Johann Sebastian Bach,1685年3月31日一1750年7月28日),巴洛克时期的德国作曲家,杰出的管风琴、小提琴、大键琴演奏家,同作曲家亨德尔和泰勒曼齐名。巴赫被普遍认为是音乐史上最重要的作曲家之一,并被尊称为“西方‘现代音乐’之父”,也是西方文化史上最重要的人物之一。
What did cope realize about a great composer’s brain?
A:It forms new musical patterns all by itself B:It writes a computer program C:It can recognize any music patterns D:It creates an accurate database
I’ll Be Bach
Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t tell the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer.
It all started in 1980 in the United States, when Cope was trying to write an opera. He was having trouble thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not easy to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers,brains work like big databases. First, they take in all the music that they have ever heard. Then they take out the music that they dislike. Finally, they make new music from what is left. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it.
Cope built a huge database of existing music. He began with hundreds of works by Bach. The software analyzed the data:it broke it down into smaller pieces and looked for patterns. It then combined the pieces into new patterns. Before long, the program could compose short Bach-like works. They weren’t good, but it was a start.
Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could analyzemore complex music. He also added many other composers, including his own work, to the database.
A few years later,Cope’s computer program, called “Emmy”,was ready to help him with his opera. The process required a lot ofcollaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the ones that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great success! Cope received some of the best reviews of his career, but no one knew exactly how he had composed the work.
Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’tlike of her music, but she is doing most of the hard work of composing these days!
词汇:
original/əˈrɪdʒənəl / adj.有独创性的
collaboration/ kəˌlæbəˈreɪʃən / n.合作
review/rɪ"vju:/ n.评论
feedback/"fi:dbæk / n.反馈
注释
J.S. Bach约翰·塞巴斯蒂安·巴赫(德语:Johann Sebastian Bach,1685年3月31日一1750年7月28日),巴洛克时期的德国作曲家,杰出的管风琴、小提琴、大键琴演奏家,同作曲家亨德尔和泰勒曼齐名。巴赫被普遍认为是音乐史上最重要的作曲家之一,并被尊称为“西方‘现代音乐’之父”,也是西方文化史上最重要的人物之一。
By developing a computer software,David cope aimed ______.
A:to be like Bach B:to study Bach C:to write an opera D:to create a musical database
I’ll Be Bach
Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t tell the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer.
It all started in 1980 in the United States, when Cope was trying to write an opera. He was having trouble thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not easy to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers,brains work like big databases. First, they take in all the music that they have ever heard. Then they take out the music that they dislike. Finally, they make new music from what is left. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it.
Cope built a huge database of existing music. He began with hundreds of works by Bach. The software analyzed the data:it broke it down into smaller pieces and looked for patterns. It then combined the pieces into new patterns. Before long, the program could compose short Bach-like works. They weren’t good, but it was a start.
Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could analyzemore complex music. He also added many other composers, including his own work, to the database.
A few years later,Cope’s computer program, called “Emmy”,was ready to help him with his opera. The process required a lot ofcollaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the ones that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great success! Cope received some of the best reviews of his career, but no one knew exactly how he had composed the work.
Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’tlike of her music, but she is doing most of the hard work of composing these days!
词汇:
original/əˈrɪdʒənəl / adj.有独创性的
collaboration/ kəˌlæbəˈreɪʃən / n.合作
review/rɪ"vju:/ n.评论
feedback/"fi:dbæk / n.反馈
注释
J.S. Bach约翰·塞巴斯蒂安·巴赫(德语:Johann Sebastian Bach,1685年3月31日一1750年7月28日),巴洛克时期的德国作曲家,杰出的管风琴、小提琴、大键琴演奏家,同作曲家亨德尔和泰勒曼齐名。巴赫被普遍认为是音乐史上最重要的作曲家之一,并被尊称为“西方‘现代音乐’之父”,也是西方文化史上最重要的人物之一。
What did cope realize about a great composer’s brain?
A:It forms new musical patterns allby itself B:It writes a computer program C:It can recognize any music patterns D:It creates an accurate database
Pool Watch
Swimmers can drown in busy swimming pools when lifeguards fail to notice that they are introuble. The Royal Society for the Prevention of Accidents says that on average 15 people drown in British pools each year, but many more suffer major injury after getting into difficulties. Now a French company has developed an artificial intelligence system called Poseidon that sounds thealarm when it sees someone in danger of drowning.
When a swimmer sinks towards the bottom of the pool, the new system sends an alarm signal to a poolside monitoring station and a lifeguard"s pager. In trials at a pool in Ancenis, it saved a life with in just a few months, says Alistair McQuade,a spokesman for its maker, Poseidon Technologies.
Poseidon keeps watch through a network of underwater and overhead video cameras. AI software analyses the images to work out swimmers" trajectories. To do this reliably, it has to tell the difference between a swimmer and the shadow of someone being cast onto the bottom or side of the pool. "The underwater environment is a very dynamic one, with many shadows and reflections dancing around", says McQuade.
The software does this by "projecting" a shape in its field of view onto an image of the far wall of the pool. It does the same with an image from another camera viewing the shape from a different angle. If the two projections are in the same position, the shape is identified as a shadow and is ignored. But if they are different, the shape is a swimmer and so the system follows its trajectory.
To pick out potential drowning victims, anyone in the water who starts to descend slowly is added to the software"s "pre-alert" 1list,says McQuade. Swimmers who then stay immobile on the pool bottom for 5 seconds or more are considered in danger of drowning. Poseidon double-checks that the image really is of a swimmer, not a shadow, by seeing whether it obscures the pool"s floor texture when viewed from overhead. If so, it alerts the lifeguard, showing the swimmer"s location ona poolside screen.
The first full-scale Poseidon system will be officially opened next week at a pool in High Wycombe, Buckinghamshire. One man who is impressed with the idea is Travor Baylis, inventor of the clockwork radio. Baylis runs a company that installs swimming pools - and he was once an underwater escapologist with a circus. “I say full marks to them if this works and can save lives", he says. But he adds that any local authority spending ~30,000 - plus on a Poseidon system ought to be investing similar amounts in teaching children to swim.
词汇:
pager [ˈpeɪdʒə(r)] 携带式电子呼叫机
trajectory [trə"dʒektərɪ]轨迹
descend [dɪ"send]下降
immobile [ɪ"məʊbaɪl] 不移动的
texture ["tekstʃə(r)]特征,质地
clockwork [ˈklɔkˌwɜ:k] 时钟机构
escapologist [ˌeskəˈpɒlədʒɪst] 擅长从捆扎的绳索中脱身的杂技演员
注释:
1 pre-alert:预先警戒的。the software"s“pre -alert”list:软件的“预警”名单。pre-:是前缀,意思是先于;预先。又如:preadult:成年前的;precancerous:癌症前期的。alert:警戒的,警觉的。
How does Poseidon save a life?
A:He plunges into the pool B:It alerts the lifeguard C:He cries for help D:It rushes to the pool
I’ll Be Bach
Composer David Cope is the inventor of a computer program that writes original works of classical music. It took Cope 30 years to develop the software. Now most people can’t tell the difference between music by the famous German composer J. S. Bach (1685-1750) and the Bach-like compositions from Cope’s computer.
It all started in 1980 in the United States, when Cope was trying to write an opera. He was having trouble thinking of new melodies, so he wrote a computer program to create the melodies. At first this music was not easy to listen to. What did Cope do? He began to rethink how human beings compose music. He realized that composers,brains work like big databases. First, they take in all the music that they have ever heard. Then they take out the music that they dislike. Finally, they make new music from what is left. According to Cope, only the great composers are able to create the database accurately, remember it, and form new musical patterns from it.
Cope built a huge database of existing music. He began with hundreds of works by Bach. The software analyzed the data:it broke it down into smaller pieces and looked for patterns. It then combined the pieces into new patterns. Before long, the program could compose short Bach-like works. They weren’t good, but it was a start.
Cope knew he had more work to do-he had a whole opera to write. He continued to improve the software. Soon it could analyzemore complex music. He also added many other composers, including his own work, to the database.
A few years later,Cope’s computer program, called “Emmy”,was ready to help him with his opera. The process required a lot ofcollaboration between the composer and Emmy. Cope listened to the computer’s musical ideas and used the ones that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great success! Cope received some of the best reviews of his career, but no one knew exactly how he had composed the work.
Since that first opera, Emmy has written thousands of compositions. Cope still gives Emmy feedback on what he likes and doesn’tlike of her music, but she is doing most of the hard work of composing these days!
词汇:
original/əˈrɪdʒənəl / adj.有独创性的
collaboration/ kəˌlæbəˈreɪʃən / n.合作
review/rɪ"vju:/ n.评论
feedback/"fi:dbæk / n.反馈
注释
J.S. Bach约翰·塞巴斯蒂安·巴赫(德语:Johann Sebastian Bach,1685年3月31日一1750年7月28日),巴洛克时期的德国作曲家,杰出的管风琴、小提琴、大键琴演奏家,同作曲家亨德尔和泰勒曼齐名。巴赫被普遍认为是音乐史上最重要的作曲家之一,并被尊称为“西方‘现代音乐’之父”,也是西方文化史上最重要的人物之一。
What did cope realize about a great composer’s brain?
A:It forms new musical patterns allby itself B:It writes a computer program C:It can recognize any music patterns D:It creates an accurate database
Pool Watch
Swimmers can drown in busy swimming pools when lifeguards fail to notice that they are introuble. The Royal Society for the Prevention of Accidents says that on average 15 people drown in British pools each year, but many more suffer major injury after getting into difficulties. Now a French company has developed an artificial intelligence system called Poseidon that sounds thealarm when it sees someone in danger of drowning.
When a swimmer sinks towards the bottom of the pool, the new system sends an alarm signal to a poolside monitoring station and a lifeguard"s pager. In trials at a pool in Ancenis, it saved a life with in just a few months, says Alistair McQuade,a spokesman for its maker, Poseidon Technologies.
Poseidon keeps watch through a network of underwater and overhead video cameras. AI software analyses the images to work out swimmers" trajectories. To do this reliably, it has to tell the difference between a swimmer and the shadow of someone being cast onto the bottom or side of the pool. "The underwater environment is a very dynamic one, with many shadows and reflections dancing around", says McQuade.
The software does this by "projecting" a shape in its field of view onto an image of the far wall of the pool. It does the same with an image from another camera viewing the shape from a different angle. If the two projections are in the same position, the shape is identified as a shadow and is ignored. But if they are different, the shape is a swimmer and so the system follows its trajectory.
To pick out potential drowning victims, anyone in the water who starts to descend slowly is added to the software"s "pre-alert" 1list,says McQuade. Swimmers who then stay immobile on the pool bottom for 5 seconds or more are considered in danger of drowning. Poseidon double-checks that the image really is of a swimmer, not a shadow, by seeing whether it obscures the pool"s floor texture when viewed from overhead. If so, it alerts the lifeguard, showing the swimmer"s location ona poolside screen.
The first full-scale Poseidon system will be officially opened next week at a pool in High Wycombe, Buckinghamshire. One man who is impressed with the idea is Travor Baylis, inventor of the clockwork radio. Baylis runs a company that installs swimming pools - and he was once an underwater escapologist with a circus. “I say full marks to them if this works and can save lives", he says. But he adds that any local authority spending ~30,000 - plus on a Poseidon system ought to be investing similar amounts in teaching children to swim.
词汇:
pager [ˈpeɪdʒə(r)] 携带式电子呼叫机
trajectory [trə"dʒektərɪ]轨迹
descend [dɪ"send]下降
immobile [ɪ"məʊbaɪl] 不移动的
texture ["tekstʃə(r)]特征,质地
clockwork [ˈklɔkˌwɜ:k] 时钟机构
escapologist [ˌeskəˈpɒlədʒɪst] 擅长从捆扎的绳索中脱身的杂技演员
注释:
1 pre-alert:预先警戒的。the software"s“pre -alert”list:软件的“预警”名单。pre-:是前缀,意思是先于;预先。又如:preadult:成年前的;precancerous:癌症前期的。alert:警戒的,警觉的。
How does Poseidon save a life?
A:He plunges into the pool B:It alerts the lifeguard C:He cries for help D:It rushes to the pool