Container is most benefit for ()
A:Transport, carrying, loading and unloading B:Storage C:Transporting D:Distribution
Benefit是FABE法则中的()。
A:A特征 B:B优点 C:C利益 D:D证据
Over the years, as the musical "Rent" has reached milestone after milestone—playing around ’the world in more than 200 productions from Boise to Little Rock to Reykjavik—the thousands of people who have been affected by this vibrant, gritty and compassionate work may well wonder what its creator, Jonathan Larson, would have thought of it all. Another milestone came on Monday .night. The original Broadway production of "Rent" opened at the Nederlander Theater l0 years ago this Saturday. That production, directed by Michael Greif, was an almost-intact transfer of the initial production at the New York Theater Workshop, which had opened three months earlier.
To celebrate the anniversary the original cast members reassembled, rehearsed for two days and performed the show in a semi-staged version at the Nederlander on Monday. The event was a benefit for the New York Theater Workshop, for Friends in Deed (a support organization that gave comfort to several of Mr. Larson’s friends dealing with H.I.V. infections.). and for the Jonathan Larson Performing Arts Foundation, which was set up by his family after the enormous success of "Rent".
Before the performance, the co-chairmen of the benefit told the star-studded audience that more than $2 million’ had been raised. Also addressing the crowd were Senator Charles E. Schumer and Mayor Michael R. Bloomberg, who praised "Rent" as a timeless work exemplifying "culture, community and creativity," in the mayor’s words, and saluted the show’s vast contributions to New York’s theatrical life.
Once again you could only think, "Would Jonathan ever have imagined all this" Mr. Larson, who wrote the music, lyrics and books for his stage works, struggled for more than 10 years to get a producer to take a shot at one of his shows. Now he was being posthumously thanked for giving Broadway a creative and economic boost. "Rent" is the seventh longest running show in Broadway history.
I count myself among those who were personally affected by Mr. Larson’s work. because of the inadvertent role I played in the last hours of his life. In 1996 an editor at The Times tipped me off to the opening of a rock musical, inspired by. "La Boheme", which transplanted Puccini’s struggling bohemians from Paris in the 1830’s to the ‘East Village in 1990’s. So on Jan. 24 I went to the New York Theater Workshop m see the dress rehearsal of "Rent", which was scheduled to open in February.
That performance was pretty ragged, with technical glitches and a misbehaving sound system. But I was swept away by the sophistication and exuberance of Mr. Larson’s music and the mix of tenderness and cleverness in his lyrics. After the show Mr. Larson and I sat down for an interview in the tiny ticket booth of the theater, the only quiet space we could find amid the post-rehearsal confusion. For almost an hour, this sad-eyed and boyish. creator talked about his approach to songwriting, his determination to bring the American musical tradition to the MTV generation, and about friends snuggling with H:I.V. infection who had inspired the show.
The best title for this passage is______.
A:Eternal Rent, Eternal Soul B:History of Rent C:On the Anniversary of Rent D:Benefit of Rent
For centuries, explorers have risked their lives venturing into the unknown for reasons of economic benefit and national glory. Following the lunar missions of the early 1970s, Mars now looms as humanity’s next great, unknown land. But with dubious prospects for short-term financial return and with international competition in space a receding memory, it is clear that imperatives other than profit or national pride will have to compel human beings to leave their tracks on the planet’s red surface.
With Mars the scientific benefits are perhaps higher than they have ever been. The issue of whether life ever existed on the planet, and whether it persists to this day, has been highlighted by accumulating evidence that Mars once had abundant liquid water and by the controversy over suggestions that fossils of bacteria rode to Earth on a rock ejected from Mars during its early history. A definite answer about life on Mars, past or present, would give researchers invaluable data about the range of conditions under which a planet can generate the complex chemistry that leads to life. The revelation that life arose independently on Mars and on Earth would provide the first concrete clue in one of the deepest mysteries in all of science: how prevalent is life in our galaxy
One of the reasons why the idea of sending people to Mars strikes a chord in so many people is that it is already possible—the U.S. has the money and the fundamental technology needed to do it. More important, recent discoveries about the planet’s environment in the distant past have presented a clear and compelling scientific incentive for sending people: to search for evidence of life. The thesis that liquid water was once stable on Mars has been strengthened by aerial photographs taken last year that showed what appeared to be a drainage channel cut deeply by water flowing for hundreds if not thousands of years.
A thorough hunt for any life on Mars that might be hanging on—despite the present deficit of water—would also have to be undertaken by humans, according to some experts. Such life will be hidden and probably tiny. "Finding it will require surveying vast tracts of territory," one expert explains. "It will require the ability to cover long distances and adapt to different conditions." Robots might be up to the task sometime in the distant future, making human explorers redundant, he concedes. But relying on them to survey Mars during periodical missions to the planet would take a very long time— "decades if not centuries," he believes.
Which of the following may be the reason for humanity’s exploring
A:Some urgent needs. B:Profit or national pride. C:Economic benefit and national glory. D:International competition in spac
Over the years, as the musical "Rent" has reached milestone after milestone—playing around ’the world in more than 200 productions from Boise to Little Rock to Reykjavik—the thousands of people who have been affected by this vibrant, gritty and compassionate work may well wonder what its creator, Jonathan Larson, would have thought of it all. Another milestone came on Monday .night. The original Broadway production of "Rent" opened at the Nederlander Theater l0 years ago this Saturday. That production, directed by Michael Greif, was an almost-intact transfer of the initial production at the New York Theater Workshop, which had opened three months earlier.
To celebrate the anniversary the original cast members reassembled, rehearsed for two days and performed the show in a semi-staged version at the Nederlander on Monday. The event was a benefit for the New York Theater Workshop, for Friends in Deed (a support organization that gave comfort to several of Mr. Larson’s friends dealing with H.I.V. infections.). and for the Jonathan Larson Performing Arts Foundation, which was set up by his family after the enormous success of "Rent".
Before the performance, the co-chairmen of the benefit told the star-studded audience that more than $2 million’ had been raised. Also addressing the crowd were Senator Charles E. Schumer and Mayor Michael R. Bloomberg, who praised "Rent" as a timeless work exemplifying "culture, community and creativity," in the mayor’s words, and saluted the show’s vast contributions to New York’s theatrical life.
Once again you could only think, "Would Jonathan ever have imagined all this" Mr. Larson, who wrote the music, lyrics and books for his stage works, struggled for more than 10 years to get a producer to take a shot at one of his shows. Now he was being posthumously thanked for giving Broadway a creative and economic boost. "Rent" is the seventh longest running show in Broadway history.
I count myself among those who were personally affected by Mr. Larson’s work. because of the inadvertent role I played in the last hours of his life. In 1996 an editor at The Times tipped me off to the opening of a rock musical, inspired by. "La Boheme", which transplanted Puccini’s struggling bohemians from Paris in the 1830’s to the ‘East Village in 1990’s. So on Jan. 24 I went to the New York Theater Workshop m see the dress rehearsal of "Rent", which was scheduled to open in February.
That performance was pretty ragged, with technical glitches and a misbehaving sound system. But I was swept away by the sophistication and exuberance of Mr. Larson’s music and the mix of tenderness and cleverness in his lyrics. After the show Mr. Larson and I sat down for an interview in the tiny ticket booth of the theater, the only quiet space we could find amid the post-rehearsal confusion. For almost an hour, this sad-eyed and boyish. creator talked about his approach to songwriting, his determination to bring the American musical tradition to the MTV generation, and about friends snuggling with H:I.V. infection who had inspired the show.
A:Eternal Rent, Eternal Soul B:History of Rent C:On the Anniversary of Rent D:Benefit of Rent
C
These are useful to man in three important ways: They provide him with wood and other products; They give him shade and they help to prevent drought (干旱) and floods. Unfortunately, in many parts of the world, in his eagerness to draw quick benefit from the tree, man has cut down a large number of trees. Even where a government realizes the importance of plentiful supply of trees, it is difficult for it to persuade the villagers to see this. So unless the government has a great system of control, or can educate the people, the forests slowly disappear.
The resaults are more serious: for where there are trees their roots break the soil allowing the rain to sink and also hold the soil, thus preventing it from being washed away easily, but where there are no trees, the soil becomes hard and poor.
The rain falls on hard ground and flows away on the surface, causing floods, and carry away with it the rich top soil in which crops grow so well. When all the top soil is gone, nothing remains but worthless desert.
A:measures must be taken B:people shouldn't draw benefit from trees C:government must realize the serious results D:unless trees never be cut down
{{B}}第二篇{{/B}}
Benefit Payments to American
Workers ? ?German Chancellor (首相)Otto Von Bismarck may be most famous for his military and diplomatic talent, but his legacy (遗产) includes many of today’s social insurance programs. During the middle of the 19th century, Germany, along with other European nations, experienced an unprecedented rash of workplace deaths and accidents as a result of growing industrialization. Motivated in part by Christian compassion (怜悯)for the helpless as well as a practical political impulse to undercut the support of the socialist labor movement.’ Chancellor Bismarck created the world’s first workers’ compensation law in 1884. ? ?By 1908, the United States was the only industrial nation in the world that lacked workers’ compensation insurance. America’s injured workers could sue for damages in a court of law, but they still faced a number of tough legal barriers. For example, employees had to prove that their injuries directly resulted from employer negligence and that they themselves were ignorant about potential hazards in the workplace. The first state workers’ compensation law in the country passed in 1911, and the program soon spread throughout the nation. ? ?After World War Ⅱ, benefit payments to American workers did not keep up with the cost of living. In fact, real benefit levels were lower in the 1970s than they were in the 1940s, and in most states the maximum benefit was below the poverty level for a family of four. ?In 1970, President Richard Nixon set up a national commission to study the problems of workers’ compensation. Two years later, the commission issued 19 key recommendations, including one that called for increasing compensation benefit levels to 100 percent of the states’ average weekly wages. ? ?In fact, the average compensation benefit in America has climbed from 55 percent of the states’ average weekly wages in 1972 to 97 percent today. But, as most studies show, every 10 percent increase in compensation benefits results in a 5 percent increase in the numbers of workers who file for claims. And with so much more money floating in the workers’ compensation system, it’s not surprising that doctors and lawyers have helped themselves to a large slice of the growing pie. |
A:they had to produce evidence that their employers were responsible for the accident B:America’s average compensation benefit was much lower than the cost of living C:different state in the U.S. had totally different compensation programs D:they had to have the courage to sue for damages in a court of law
{{B}}第二篇{{/B}}
Benefit Payments to American
Workers ? ?German Chancellor (首相)Otto Von Bismarck may be most famous for his military and diplomatic talent, but his legacy (遗产) includes many of today’s social insurance programs. During the middle of the 19th century, Germany, along with other European nations, experienced an unprecedented rash of workplace deaths and accidents as a result of growing industrialization. Motivated in part by Christian compassion (怜悯)for the helpless as well as a practical political impulse to undercut the support of the socialist labor movement.’ Chancellor Bismarck created the world’s first workers’ compensation law in 1884. ? ?By 1908, the United States was the only industrial nation in the world that lacked workers’ compensation insurance. America’s injured workers could sue for damages in a court of law, but they still faced a number of tough legal barriers. For example, employees had to prove that their injuries directly resulted from employer negligence and that they themselves were ignorant about potential hazards in the workplace. The first state workers’ compensation law in the country passed in 1911, and the program soon spread throughout the nation. ? ?After World War Ⅱ, benefit payments to American workers did not keep up with the cost of living. In fact, real benefit levels were lower in the 1970s than they were in the 1940s, and in most states the maximum benefit was below the poverty level for a family of four. ?In 1970, President Richard Nixon set up a national commission to study the problems of workers’ compensation. Two years later, the commission issued 19 key recommendations, including one that called for increasing compensation benefit levels to 100 percent of the states’ average weekly wages. ? ?In fact, the average compensation benefit in America has climbed from 55 percent of the states’ average weekly wages in 1972 to 97 percent today. But, as most studies show, every 10 percent increase in compensation benefits results in a 5 percent increase in the numbers of workers who file for claims. And with so much more money floating in the workers’ compensation system, it’s not surprising that doctors and lawyers have helped themselves to a large slice of the growing pie. |
A:compensation benefits in America are soaring to new heights B:people from all walks of life can benefit from the compensation system C:the workers are not the only ones to benefit from the compensation system D:money floating in the compensation system is a huge drain on the U.S. Economy
What is the benefit of the revolution mentioned in the first paragraph?
A:With a flip of switch, electricity can be transmitted. B:Other American cities can benefit from the high-performance cables. C:Great amounts of power can be conserved. D:Detroit will first receive electricity transmitted by the new electrical cables.
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