第2篇 Tightened Visa Regulations

According to South Korea’s new visa regulations, native speakers of English who intend to teach English in South Korea will be required to undergo criminal record checks, medical and drug tests, provide sealed academic transcripts and have their university diplomas inspected, The Korea Times has reported. The tightened regulations will affect an estimated 17,000 foreigners that hold E-2 visas specifically for foreign language teachers.
The most controversial requirement is that English teachers residing outside South Korea will have to have an interview at a South Korean embassy before taking up their teaching posts. For applicants living in remote areas in Canada, Australia or the US, this is an additional travel burden. Meanwhile, foreign teachers currently living in South Korea must leave the country after their one-year contracts end and renew their visas at a South Korean embassy in their home country or third country. Before the changes, they could renew their visas by visiting a neighboring country and return without additional documentation.
The visa changes are a reaction to public concern about the suitability of some foreign teachers. A report from the South Korean Ministry of Education and Human Resources Development shows between 2001 and August of this year, 1,481 foreign language teachers have been caught for a range of offenses including forged degrees, visa violations and general lawbreaking.
But the changes are likely to slow up the supply of teachers to South Korea’s English language education sector. According to Michael Dully, manager of a teacher placement service in South Korea, applicants have to spend a few hundred dollars and several months on getting affidavits for documents. "South Korea has put up too many hoops to jump through. " he said, adding that foreigners would seek work elsewhere. Most foreigners wonder if the experience of working in South Korea will be worth the burden of the paper work and increasing restrictions. "I don’t think (South) Korea has thought this through. " said Scott McInnis, a Canadian teacher based in Incheon near Seoul. "This is a reactionary move by the government that will have strong implications for the EFL community. "
As part of efforts to ease the discontent, the South Korean Ministry of Justice has granted a three-month grace period for current E-2 visa holders to prepare the necessary documents.
In paragraph 4, the word "reactionary move" in the sentence means ______.

A:conflicting ideas B:opposing opinions C:subversive activities D:disapproving actions

Halfway through" The Rebel Sell," the authors pause to make fun of" free-range" chicken. Paying over the odds to ensure that dinner was not in a previous life, confined to tiny cages is all well and good. But "a free-range chicken is about as plausible as a sun-loving earthworm": given a choice, chickens prefer to curl up in a nice dark comer of the barn. Only about 15% of "free-range" chickens actually use the space available to them.
This is just one case in which Joseph Heath, who teaches philosophy at the University of Toronto, and Andrew Potter, a journalist and researcher based in Montreal, find fault with well-meaning but, in their view, ultimately naive consumers who hope to distance themselves from consumerism by buying their shoes from Mother Jones magazine instead of Nike. Mr Heath and Mr Potter argue that "the counterculture," in all its attempts to be subversive, has done nothing more than create new segments of the market, and thus ends up feeding the very monster of consumerism and conformity it hopes to destroy. In the process, they cover Marx, Freud ,the experiments on obedience of Stanley Milgram, the films" Pleasantville", "The Matrix" and "American Beauty", 15th-century table manners, Norman Mailer, the Unabomber, real-estate prices in central Toronto (more than once ), the voluntary-simplicity movement and the world’ s funniest joke.
Why range so widely The authors’ beef is with a very small group: left-wing activists who eschew smaller, potentially useful campaigns in favor of grand statements about the hopelessness of consumer culture and the dangers of" selling out". Instead of encouraging useful activities, such as pushing for new legislation, would-be leftists are left to participate in unstructured, pointless demonstrations against" globalization," or buy fair-trade coffee and free-range chicken, which only substitutes snobbery for activism. Two authors of books that railed against brands, Naomi Klein (" No Logo")and Alissa Quart (" Branded"), come in for
special derision for diagnosing the problems of consumerism but refusing to offer practical solutions.
Anticipating criticism, perhaps ,Messrs Heath and Potter make sure to put forth a few of their own solutions, such as the 35-hour working week and school uniforms (to keep teenagers from competing with each other to wear ever-more-expensive clothes). Increasing consumption, they argue throughout, is not imposed upon stupid workers by overbearing companies, but arises as a result of a cultural" arms race" :each person buys more to keep his standard of living high relative to his neighbors’, Imposing some restrictions, such as a shorter working week, might not stop the arms race, but it would at least curb its most offensive excesses. ( This assumes one finds excess consumption offensive; even the authors do not seem entirely sure. )
But on the way to such modest suggestions, the authors want to criticise every aspect of the counterculture, from its disdain for homogenisation, franchises and brands to its political offshoots. As a result, the book wanders: chapters on uniforms and on the search for" cool" could have been cut. Moreover, the authors make the mistake of assuming that the consumers they sympathise with—the ones who buy brands and live in tract houses—know enough to separate themselves from their purchases, whereas the free-trade-coffee buyers swallow the brand messages whole, as it were.
Still, it would be a shame if the book’ s ramblings kept it from getting read. When it focuses on explaining how the counterculture grew out of post-World War II critiques of modem society, "The Rebel Sell" is a lively read, with enough humour to keep the more theoretical stretches of its argument interesting. At the very least, it puts its finger on a trend: there will be plenty of future critics of capitalism lining up for their free-range chicken.
Mr. Heath and Mr. Potter seem to believe that counterculture

A:has very strong subversive powers in modem society. B:is originated by a magazine called" Mother Jones". C:will possibly lead to further expansion of consumerism. D:can eventually end up feeding monstrous social problems.

Halfway through" The Rebel Sell," the authors pause to make fun of" free-range" chicken. Paying over the odds to ensure that dinner was not, in a previous life, confined to tiny cages is all well and good. But" a free-range chicken is about as plausible as a sun-loving earth-worm": given a choice, chickens prefer to curl up in a nice dark corner of the barn. Only about 15% of" free-range" chickens actually use the space available to them.
This is just one case in which Joseph Heath, who teaches philosophy at the University of Toronto, and Andrew Potter, a journalist and researcher based in Montreal, find fault with well-meaning but, in their view, ultimately naive consumers who hope to distance themselves from consumerism by buying their shoes from Mother Jones magazine instead of Nike. Mr Heath and Mr Potter argue that" the counterculture," in all its attempts to be subversive, has done nothing more than create new segments of the market, and thus ends up feeding the very monster of consumerism and conformity it hopes to destroy. In the process, they cover Marx, Freud, the experiments on obedience of Stanley Milgram, the films" Pleasantville"," The Matrix" and "American Beauty", 15th-century table manners, Norman Mailer, the Unabomber, real-estate prices in central Toronto (more than once), the voluntary-simplicity movement and the world’s funniest joke.
Why range so widely The authors’ beef is with a very small group: left-wing activists who eschew smaller, potentially useful campaigns in favor of grand statements about the hopelessness of consumer culture and the dangers of" selling out". Instead of encouraging useful activities, such as pushing for new legislation, would-be leftists are left to participate in unstructured, pointless demonstrations against" globalization, or buy fair-trade coffee and flee-range chicken, which only substitutes snobbery for activism. Two authors of books that railed against brands, Naomi Klein ("No Logo") and Alissa Quart("Branded"), come in for special derision for diagnosing the problems of consumerism but refusing to offer practical solutions.
Anticipating criticism, perhaps, Messrs Heath and Potter make sure to put forth a few of their own solutions, such as the 35-hour working week and school uniforms (to keep teenagers from competing with each other to wear ever-more-expensive clothes). Increasing consumption, they argue throughout, is not imposed upon stupid workers by overbearing companies, but arises as a result of a cultural" arms race": each person buys more to keep his standard of living high relative to his neighbors’. Imposing some restrictions, such as a shorter working week, might not stop the arms race, but it would at least curb its most offensive excesses. (This assumes one finds excess consumption offensive; even the authors do not seem entirely sure.)
But on the way to such modest suggestions, the authors want to criticise every aspect of the counterculture, from its disdain, for homogenisation, franchises and brands to its political offshoots. As a result, the book wanders: chapters on uniforms and on the search for" cool" could have been cut. Moreover, the authors make the mistake of assuming that the consumers they sympathise with—the ones who buy brands and live in tract houses—know enough to separate themselves from their purchases, whereas the free-trade-coffee buyers swallow the brand messages whole, as it were.
Still,it would be a shame if the book’ s ramblings kept it from getting read. When it focuses on explaining how the counterculture grew out of post-World War Ⅱ critiques of modem society, "The Rebel Sell" is a lively read, with enough humour to keep the more theoretical stretches of its argument interesting. At the very least, it puts its finger on a trend: there will be plenty of future critics of capitalism lining up for their free-range chicken.
Mr. Heath and Mr. Potter seem to believe that counterculture

A:has very strong subversive powers in modem society. B:is originated by a magazine called" Mother Jones". C:will possibly lead to further expansion of consumerism. D:can eventually end up feeding monstrous social problems.

Halfway through " The Rebel Sell," the authors pause to make fun of" free-range" chicken. Paying over the odds to ensure that dinner was not, in a previous life, confined to tiny cages is all well and good. But"a free-range chicken is about as plausible as a sun-loving earthworm" : given a choice, chickens prefer to curl up in a nice dark corner of the barn. Only about 15% of "free-range" chickens actually use the space available to them.
This is just one case in which Joseph Heath, who teaches philosophy at the University of Toronto, and Andrew Potter, a journalist and researcher based in Montreal, find fault with well-meaning but, in their view, ultimately naive consumers who hope to distance themselves from consumerism by buying their shoes from Mother Jones magazine instead of Nike. Mr Heath and Mr Potter argue that" the counterculture, "in all its attempts to be subversive, has done nothing more than create new segments of the market, and thus ends up feeding the very monster of consumerism and conformity it hopes to destroy. In the process ,they cover Marx, Freud, the experiments on obedience of Stanley Milgram, the films "Pleasantville"," The Matrix" and "American Beauty", 15th-century table manners, Norman Mailer, the Unabomber, real-estate prices in central Toronto (more than once), the voluntary-simplicity movement and the world’s funniest joke.
Why range so widely The authors’ beef is with a very small group: left-wing activists who eschew smaller, potentially useful campaigns in favor of grand statements about the hopelessness of consumer culture and the dangers of "selling out". Instead of encouraging useful activities, such as pushing for new legislation, would-be leftists are left to participate in unstructured, pointless demonstrations against "globalization," or buy fair-trade coffee and free-range chicken, which only substitutes snobbery for activism. Two authors of books that railed against brands, Naomi Klein ( "No Logo") and Alissa Quart ("Branded"), come in for special derision for diagnosing the problems of consumerism but refusing to offer practical solutions.
Anticipating criticism, perhaps, Messrs Heath and Potter make sure to put forth a few of their own solutions, such as the 35-hour working week and school uniforms (to keep teenagers from competing with each other to wear ever-more-expensive clothes). Increasing consumption, they argue throughout, is not imposed upon stupid workers by overbearing companies, but arises as a result of a cultural "arms race": each person buys more to keep his standard of living high relative to his neighbors’. Imposing some restrictions, such as a shorter working week, might not stop the arms race, but it would at least curb its most offensive excesses. (This assumes one finds excess consumption offensive; even the authors do not seem entirely sure. )
But on the way to such modest suggestions, the authors want to criticise every aspect of the counterculture, from its disdain for homogenisation, franchises and brands to its political offshoots. As a result, the book wanders: chapters on uniforms and on the search for "cool" could have been cut. Moreover, the authors make the mistake of assuming that the consumers they sympathise with--the ones who buy brands and live in tract houses--know enough to separate themselves from their purchases, whereas the free-trade-coffee buyers swallow the brand messages whole, as it were.
Still, it would be a shame if the book’s ramblings kept it from getting read. When it focuses on explaining how the counterculture grew out of post-World War Ⅱ critiques of modern society, "The Rebel Sell" is a lively read, with enough humour to keep the more theoretical stretches of its argument interesting. At the very least, it puts its finger on a trend: there will be plenty of future critics of capitalism lining up for their free-range chicken.
Mr. Heath and Mr. Potter seem to believe that counterculture

A:has very strong subversive powers in modern society. B:is originated by a magazine called "Mother Jones". C:will possibly lead to further expansion of consumerism. D:can eventually end up feeding monstrous social problems.

Halfway through" The Rebel Sell," the authors pause to make fun of" free-range" chicken. Paying over the odds to ensure that dinner was not, in a previous life, confined to tiny cages is all well and good. But" a free-range chicken is about as plausible as a sun-loving earth-worm": given a choice, chickens prefer to curl up in a nice dark corner of the barn. Only about 15% of" free-range" chickens actually use the space available to them.
This is just one case in which Joseph Heath, who teaches philosophy at the University of Toronto, and Andrew Potter, a journalist and researcher based in Montreal, find fault with well-meaning but, in their view, ultimately naive consumers who hope to distance themselves from consumerism by buying their shoes from Mother Jones magazine instead of Nike. Mr Heath and Mr Potter argue that" the counterculture," in all its attempts to be subversive, has done nothing more than create new segments of the market, and thus ends up feeding the very monster of consumerism and conformity it hopes to destroy. In the process, they cover Marx, Freud, the experiments on obedience of Stanley Milgram, the films" Pleasantville"," The Matrix" and "American Beauty", 15th-century table manners, Norman Mailer, the Unabomber, real-estate prices in central Toronto (more than once), the voluntary-simplicity movement and the world’s funniest joke.
Why range so widely The authors’ beef is with a very small group: left-wing activists who eschew smaller, potentially useful campaigns in favor of grand statements about the hopelessness of consumer culture and the dangers of" selling out". Instead of encouraging useful activities, such as pushing for new legislation, would-be leftists are left to participate in unstructured, pointless demonstrations against" globalization, or buy fair-trade coffee and flee-range chicken, which only substitutes snobbery for activism. Two authors of books that railed against brands, Naomi Klein ("No Logo") and Alissa Quart("Branded"), come in for special derision for diagnosing the problems of consumerism but refusing to offer practical solutions.
Anticipating criticism, perhaps, Messrs Heath and Potter make sure to put forth a few of their own solutions, such as the 35-hour working week and school uniforms (to keep teenagers from competing with each other to wear ever-more-expensive clothes). Increasing consumption, they argue throughout, is not imposed upon stupid workers by overbearing companies, but arises as a result of a cultural" arms race": each person buys more to keep his standard of living high relative to his neighbors’. Imposing some restrictions, such as a shorter working week, might not stop the arms race, but it would at least curb its most offensive excesses. (This assumes one finds excess consumption offensive; even the authors do not seem entirely sure.)
But on the way to such modest suggestions, the authors want to criticise every aspect of the counterculture, from its disdain, for homogenisation, franchises and brands to its political offshoots. As a result, the book wanders: chapters on uniforms and on the search for" cool" could have been cut. Moreover, the authors make the mistake of assuming that the consumers they sympathise with—the ones who buy brands and live in tract houses—know enough to separate themselves from their purchases, whereas the free-trade-coffee buyers swallow the brand messages whole, as it were.
Still,it would be a shame if the book’ s ramblings kept it from getting read. When it focuses on explaining how the counterculture grew out of post-World War Ⅱ critiques of modem society, "The Rebel Sell" is a lively read, with enough humour to keep the more theoretical stretches of its argument interesting. At the very least, it puts its finger on a trend: there will be plenty of future critics of capitalism lining up for their free-range chicken.

Mr. Heath and Mr. Potter seem to believe that counterculture()

A:has very strong subversive powers in modem society. B:is originated by a magazine called" Mother Jones". C:will possibly lead to further expansion of consumerism. D:can eventually end up feeding monstrous social problems.

Text 3

Halfway through" The Rebel Sell," the authors pause to make fun of" free-range" chicken. Paying over the odds to ensure that dinner was not in a previous life, confined to tiny cages is all well and good. But "a free-range chicken is about as plausible as a sun-loving earthworm": given a choice, chickens prefer to curl up in a nice dark comer of the barn. Only about 15% of "free-range" chickens actually use the space available to them.
This is just one case in which Joseph Heath, who teaches philosophy at the University of Toronto, and Andrew Potter, a journalist and researcher based in Montreal, find fault with well-meaning but, in their view, ultimately naive consumers who hope to distance themselves from consumerism by buying their shoes from Mother Jones magazine instead of Nike. Mr Heath and Mr Potter argue that "the counterculture," in all its attempts to be subversive, has done nothing more than create new segments of the market, and thus ends up feeding the very monster of consumerism and conformity it hopes to destroy. In the process, they cover Marx, Freud ,the experiments on obedience of Stanley Milgram, the films" Pleasantville", "The Matrix" and "American Beauty", 15th-century table manners, Norman Mailer, the Unabomber, real-estate prices in central Toronto (more than once ), the voluntary-simplicity movement and the world’ s funniest joke.
Why range so widely The authors’ beef is with a very small group: left-wing activists who eschew smaller, potentially useful campaigns in favor of grand statements about the hopelessness of consumer culture and the dangers of" selling out". Instead of encouraging useful activities, such as pushing for new legislation, would-be leftists are left to participate in unstructured, pointless demonstrations against" globalization," or buy fair-trade coffee and free-range chicken, which only substitutes snobbery for activism. Two authors of books that railed against brands, Naomi Klein (" No Logo")and Alissa Quart (" Branded"), come in for
special derision for diagnosing the problems of consumerism but refusing to offer practical solutions.
Anticipating criticism, perhaps ,Messrs Heath and Potter make sure to put forth a few of their own solutions, such as the 35-hour working week and school uniforms (to keep teenagers from competing with each other to wear ever-more-expensive clothes). Increasing consumption, they argue throughout, is not imposed upon stupid workers by overbearing companies, but arises as a result of a cultural" arms race" :each person buys more to keep his standard of living high relative to his neighbors’, Imposing some restrictions, such as a shorter working week, might not stop the arms race, but it would at least curb its most offensive excesses. ( This assumes one finds excess consumption offensive; even the authors do not seem entirely sure. )
But on the way to such modest suggestions, the authors want to criticise every aspect of the counterculture, from its disdain for homogenisation, franchises and brands to its political offshoots. As a result, the book wanders: chapters on uniforms and on the search for" cool" could have been cut. Moreover, the authors make the mistake of assuming that the consumers they sympathise with—the ones who buy brands and live in tract houses—know enough to separate themselves from their purchases, whereas the free-trade-coffee buyers swallow the brand messages whole, as it were.
Still, it would be a shame if the book’ s ramblings kept it from getting read. When it focuses on explaining how the counterculture grew out of post-World War II critiques of modem society, "The Rebel Sell" is a lively read, with enough humour to keep the more theoretical stretches of its argument interesting. At the very least, it puts its finger on a trend: there will be plenty of future critics of capitalism lining up for their free-range chicken.
Mr. Heath and Mr. Potter seem to believe that counterculture

A:has very strong subversive powers in modem society. B:is originated by a magazine called" Mother Jones". C:will possibly lead to further expansion of consumerism. D:can eventually end up feeding monstrous social problems.

Halfway through " The Rebel Sell," the authors pause to make fun of" free-range" chicken. Paying over the odds to ensure that dinner was not, in a previous life, confined to tiny cages is all well and good. But"a free-range chicken is about as plausible as a sun-loving earthworm" : given a choice, chickens prefer to curl up in a nice dark corner of the barn. Only about 15% of "free-range" chickens actually use the space available to them.
This is just one case in which Joseph Heath, who teaches philosophy at the University of Toronto, and Andrew Potter, a journalist and researcher based in Montreal, find fault with well-meaning but, in their view, ultimately naive consumers who hope to distance themselves from consumerism by buying their shoes from Mother Jones magazine instead of Nike. Mr Heath and Mr Potter argue that" the counterculture, "in all its attempts to be subversive, has done nothing more than create new segments of the market, and thus ends up feeding the very monster of consumerism and conformity it hopes to destroy. In the process ,they cover Marx, Freud, the experiments on obedience of Stanley Milgram, the films "Pleasantville"," The Matrix" and "American Beauty", 15th-century table manners, Norman Mailer, the Unabomber, real-estate prices in central Toronto (more than once), the voluntary-simplicity movement and the world’s funniest joke.
Why range so widely The authors’ beef is with a very small group: left-wing activists who eschew smaller, potentially useful campaigns in favor of grand statements about the hopelessness of consumer culture and the dangers of "selling out". Instead of encouraging useful activities, such as pushing for new legislation, would-be leftists are left to participate in unstructured, pointless demonstrations against "globalization," or buy fair-trade coffee and free-range chicken, which only substitutes snobbery for activism. Two authors of books that railed against brands, Naomi Klein ( "No Logo") and Alissa Quart ("Branded"), come in for special derision for diagnosing the problems of consumerism but refusing to offer practical solutions.
Anticipating criticism, perhaps, Messrs Heath and Potter make sure to put forth a few of their own solutions, such as the 35-hour working week and school uniforms (to keep teenagers from competing with each other to wear ever-more-expensive clothes). Increasing consumption, they argue throughout, is not imposed upon stupid workers by overbearing companies, but arises as a result of a cultural "arms race": each person buys more to keep his standard of living high relative to his neighbors’. Imposing some restrictions, such as a shorter working week, might not stop the arms race, but it would at least curb its most offensive excesses. (This assumes one finds excess consumption offensive; even the authors do not seem entirely sure. )
But on the way to such modest suggestions, the authors want to criticise every aspect of the counterculture, from its disdain for homogenisation, franchises and brands to its political offshoots. As a result, the book wanders: chapters on uniforms and on the search for "cool" could have been cut. Moreover, the authors make the mistake of assuming that the consumers they sympathise with--the ones who buy brands and live in tract houses--know enough to separate themselves from their purchases, whereas the free-trade-coffee buyers swallow the brand messages whole, as it were.
Still, it would be a shame if the book’s ramblings kept it from getting read. When it focuses on explaining how the counterculture grew out of post-World War Ⅱ critiques of modern society, "The Rebel Sell" is a lively read, with enough humour to keep the more theoretical stretches of its argument interesting. At the very least, it puts its finger on a trend: there will be plenty of future critics of capitalism lining up for their free-range chicken.

Mr. Heath and Mr. Potter seem to believe that counterculture()

A:has very strong subversive powers in modern society B:is originated by a magazine called "Mother Jones" C:will possibly lead to further expansion of consumerism D:can eventually end up feeding monstrous social problems

Halfway through" The Rebel Sell," the authors pause to make fun of" free-range" chicken. Paying over the odds to ensure that dinner was not, in a previous life, confined to tiny cages is all well and good. But" a free-range chicken is about as plausible as a sun-loving earth-worm": given a choice, chickens prefer to curl up in a nice dark corner of the barn. Only about 15% of" free-range" chickens actually use the space available to them.
This is just one case in which Joseph Heath, who teaches philosophy at the University of Toronto, and Andrew Potter, a journalist and researcher based in Montreal, find fault with well-meaning but, in their view, ultimately naive consumers who hope to distance themselves from consumerism by buying their shoes from Mother Jones magazine instead of Nike. Mr Heath and Mr Potter argue that" the counterculture," in all its attempts to be subversive, has done nothing more than create new segments of the market, and thus ends up feeding the very monster of consumerism and conformity it hopes to destroy. In the process, they cover Marx, Freud, the experiments on obedience of Stanley Milgram, the films" Pleasantville"," The Matrix" and "American Beauty", 15th-century table manners, Norman Mailer, the Unabomber, real-estate prices in central Toronto (more than once), the voluntary-simplicity movement and the world’s funniest joke.
Why range so widely The authors’ beef is with a very small group: left-wing activists who eschew smaller, potentially useful campaigns in favor of grand statements about the hopelessness of consumer culture and the dangers of" selling out". Instead of encouraging useful activities, such as pushing for new legislation, would-be leftists are left to participate in unstructured, pointless demonstrations against" globalization, or buy fair-trade coffee and flee-range chicken, which only substitutes snobbery for activism. Two authors of books that railed against brands, Naomi Klein ("No Logo") and Alissa Quart("Branded"), come in for special derision for diagnosing the problems of consumerism but refusing to offer practical solutions.
Anticipating criticism, perhaps, Messrs Heath and Potter make sure to put forth a few of their own solutions, such as the 35-hour working week and school uniforms (to keep teenagers from competing with each other to wear ever-more-expensive clothes). Increasing consumption, they argue throughout, is not imposed upon stupid workers by overbearing companies, but arises as a result of a cultural" arms race": each person buys more to keep his standard of living high relative to his neighbors’. Imposing some restrictions, such as a shorter working week, might not stop the arms race, but it would at least curb its most offensive excesses. (This assumes one finds excess consumption offensive; even the authors do not seem entirely sure.)
But on the way to such modest suggestions, the authors want to criticise every aspect of the counterculture, from its disdain, for homogenisation, franchises and brands to its political offshoots. As a result, the book wanders: chapters on uniforms and on the search for" cool" could have been cut. Moreover, the authors make the mistake of assuming that the consumers they sympathise with—the ones who buy brands and live in tract houses—know enough to separate themselves from their purchases, whereas the free-trade-coffee buyers swallow the brand messages whole, as it were.
Still,it would be a shame if the book’ s ramblings kept it from getting read. When it focuses on explaining how the counterculture grew out of post-World War Ⅱ critiques of modem society, "The Rebel Sell" is a lively read, with enough humour to keep the more theoretical stretches of its argument interesting. At the very least, it puts its finger on a trend: there will be plenty of future critics of capitalism lining up for their free-range chicken.

Mr. Heath and Mr. Potter seem to believe that counterculture()

A:has very strong subversive powers in modem society B:is originated by a magazine called" Mother Jones" C:will possibly lead to further expansion of consumerism D:can eventually end up feeding monstrous social problems

微信扫码获取答案解析
下载APP查看答案解析