有限责任公司是由（）个以上、（）个以下股东共同出资设立的，股东以其出资额为限承担责任的法人。

A:2，100 B:2，50 C:1，50 D:1，100

固定动火作业场，固体物质火灾单具灭火器最小灭火级别是（）A，单位灭火级别最大保护面积为（）m²／A。

A:3，50 B:2，75 C:2，50 D:1，100

周周大丰收高端客户版赎回起点金额（）万元。赎回本产品的剩余投资本金余额不得低于（）万元，否则作为全额赎回处理。

A:1，300 B:5，300 C:1，100 D:5，100

2010年1月1日，A公司以现金3，000万元取得B公司20%股权并具有重大影响，按权益法进行核算。当日，B公司可辨认净资产公允价值为14，000万元。2013年1月1日，A公司另支付现金8000万元取得B公司40%股权，并取得对B公司的控制权。购买日，A公司原持有的对B公司20%股权的公允价值为4，000万元，账面价值为3，500万元（其中，与B公司权益法核算相关的累积净损益为100万元、累积其他综合收益为200万元、其他权益变动200万元）；B公司可辨认净资产公允价值为1.8亿元（不考虑所得税等影响）。A公司在编制合并财务报表时，应确认商誉（）万元。

A:1，200 B:1，100 C:1，000 D:800

为防止静电放电危害，凡用作易燃液体和能挥发出可燃气体和／或产生易燃粉尘固体的货舱（柜）、处理装置和管系，而非直接或通过支承件焊接或用螺栓固定安装在船体上以及其与船体间的电阻超过（）MΩ者，应加专门的接地搭接片。该接地搭接片的截面积应不小于（）mm²。

A:1，100 B:5，10 C:1，10 D:1，5

A simple pair of pants may contain a multitude of meanings. In the 1850s, jeans were the unemotional, durable dress of those that came to California to labor in the gold fields. Seams were strengthened with metal pins to make them hold, a technology borrowed from the construction of horse blankets. Cloth for beasts of burden was translated to the needs of men of burden. These were the clothes of hard-laboring people, and these pants held little promise for the men who wore them, save the promise that they would be ready for the next day’s labors.
During the same decade, in the court of one European queen, "the gown worn by a fashionable lady in attendance contained 1,100 yards of material not including lace and other ornaments." American women of wealth were also wrapped in an abundance of cloth. While makers of jeans worried over how many men could be fitted into a given amount of cloth, for women of wealth the concern was with how many yards of cloth could be attractively arranged upon a given individual. This was the mark of prosperity: to wear enough material on one’s back to clothe many of more modest means.
The fashionable rich could not imagine themselves wearing the vulgar canvas pants of workers and "peasants". Neither could working-class people reasonably imagine themselves in the costumes of wealth and power. Tile only fashion link between them— subtle at best—was the stern top hat of wealthy capitalists, a coal-black cylinder symbolizing the factory chimney pipes that brought profit to one, hardship to the other. Blue jeans only signified labor and sweat.
Years later, the clothing of nineteenth-century laborers would assume new and different meanings. Humble beginnings became increasingly obscure within the unfolding of popular culture. In the movies, the horse riders of the early cattle industry were reborn as symbols of a noble, rural simplicity, and blue jeans became conspicuous within the landscape of the American media. On the screen these pants teased the imaginations of city folk, who longed for a simpler and less corrupt life. While laborers would continue to wear them at work, now the well-off might put on a pair at home or in the garden—an escape from the discipline of the business world.
In the 1950s, blue jeans became a statement by those who wished to boycott the values of a consumer-based society that was concerned only with acquisition. Blue-jeans-wearing rebels of popular movies were an expression of contempt towards the empty and obedient silence of Cold-War America; the positive images of American consumer society were under siege. What had been a piece of traditional American culture—blue jeans—became a rejection of traditional culture.
Which of the following may be TRUE for a woman’s fashion in the 1850s

A:A gown contained 1,100 yards of material. B:A woman wrapped in an abundance of cloth, C:The longer the cloth, the richer she was. D:The attractive the cloth, the wealthier she was.

A simple pair of pants may contain a multitude of meanings. In the 1850s, jeans were the unemotional, durable dress of those that came to California to labor in the gold fields. Seams were strengthened with metal pins to make them hold, a technology borrowed from the construction of horse blankets. Cloth for beasts of burden was translated to the needs of men of burden. These were the clothes of hard-laboring people, and these pants held little promise for the men who wore them, save the promise that they would be ready for the next day’s labors.
During the same decade, in the court of one European queen, "the gown worn by a fashionable lady in attendance contained 1,100 yards of material not including lace and other ornaments." American women of wealth were also wrapped in an abundance of cloth. While makers of jeans worried over how many men could be fitted into a given amount of cloth, for women of wealth the concern was with how many yards of cloth could be attractively arranged upon a given individual. This was the mark of prosperity: to wear enough material on one’s back to clothe many of more modest means.
The fashionable rich could not imagine themselves wearing the vulgar canvas pants of workers and "peasants". Neither could working-class people reasonably imagine themselves in the costumes of wealth and power. Tile only fashion link between them— subtle at best—was the stern top hat of wealthy capitalists, a coal-black cylinder symbolizing the factory chimney pipes that brought profit to one, hardship to the other. Blue jeans only signified labor and sweat.
Years later, the clothing of nineteenth-century laborers would assume new and different meanings. Humble beginnings became increasingly obscure within the unfolding of popular culture. In the movies, the horse riders of the early cattle industry were reborn as symbols of a noble, rural simplicity, and blue jeans became conspicuous within the landscape of the American media. On the screen these pants teased the imaginations of city folk, who longed for a simpler and less corrupt life. While laborers would continue to wear them at work, now the well-off might put on a pair at home or in the garden—an escape from the discipline of the business world.
In the 1950s, blue jeans became a statement by those who wished to boycott the values of a consumer-based society that was concerned only with acquisition. Blue-jeans-wearing rebels of popular movies were an expression of contempt towards the empty and obedient silence of Cold-War America; the positive images of American consumer society were under siege. What had been a piece of traditional American culture—blue jeans—became a rejection of traditional culture.

A:A gown contained 1,100 yards of material. B:A woman wrapped in an abundance of cloth, C:The longer the cloth, the richer she was. D:The attractive the cloth, the wealthier she was.

进行三角形问题的边界值分析测试用例设计。要求边长是整数，取值范围为[1,100]。

进行三角形问题的边界值分析测试用例设计。要求边长是整数，取值范围为[1,100]。